Every wedding photographer should have four types of photography lenses in his or her equipment bag and how to improve your photography with these lenses.

Wide-Angle Zoom

Wide-to-Telephoto Zoom

Image-Stabilized Telephoto Zoom

Prime/Portrait Lenses

Wide-Angle Zoom Photography Lenses

How To Improve Your Photography with Wide-angle zoom lenses

Wide-angle zoom photography lenses, which are commonly 17mm to 35mm in length and have a fixed aperture of f/2.8, are one of the most crucial photographic lenses that any wedding photographer should have. They feature a wide depth of field, making it easy to have both the foreground and background in focus. They are essential wedding photography equipment because they allow for variety in limited spaces such as a tiny banquet room or a packed dance floor. While shorter photography lenses catch more details, wide-angle zoom lenses capture more reactions and environments to present a more complete tale.

To clarify further, wide-angle zoom photography lenses enable you to capture a wider view of events occurring around the main subject, delivering a more complete image of the entire event. Wide-angle images, for example, may provide “stories within tales,” allowing you to show more of the story behind the shot. This is critical for effective photojournalistic wedding photography. Because wedding activities are so time-sensitive, professional photography lenses will let you catch as many acts or feelings as possible in the shortest amount of time.

Wide-angle zoom photography lenses emphasize the grandeur and expanse of a location, such as a cathedral or a ballroom, which epitomizes the creative atmosphere for photojournalistic wedding photography.

However, while utilizing wide-angle photography lenses, you must be choosy about the situations or movements you record, as shooting wide generates some body distortion, especially when photographing a subject close-up. In general, persons appear heavier and shorter at the edges, with large arms. The last thing you want is for the bride to curse you for making her appear like she’s gained ten pounds! To avoid this issue, avoid placing the bride and groom towards the margins of the wide-angle distortion as much as possible. Furthermore, wide-angle photography lenses may inject distracting or undesirable things into the frame, so ruining a picture-perfect moment.

Wide-to-Telephoto Zoom Photography Lenses

How To Improve Your Photography with Wide-to-Telephoto Zoom
Wide to Telephoto Zoom

The single most crucial photography lenses that a wedding photographer cannot do without are wide-to-telephoto lenses. They should preferably be lenses with focal lengths ranging from 20 to 70mm with an aperture of f/2.8. This perfect range allows you to approach near enough to catch face emotions in spontaneous photographs or a three-quarter portrait of a pair without the unwanted effects of wide-angle perspective distortion. They are also excellent portrait lenses. With only this lens, you’d be able to get most of the images you’d need for a wedding.

Image-Stabilized Telephoto Zoom Photography Lenses

How To Improve Your Photography with Image-Stabilized Telephoto Zoom lenses

Telephoto zoom lenses with image stabilization should also be on your wedding photography equipment list. The 70-200mm lens length range is critical for wedding ceremony photography. It enables you to offer your subjects more room when you don’t want to get in their way. Image-stabilized telephoto zoom lenses will come in useful while photographing down the aisle from the back of the church. The 200mm lens is long enough to get 3/4 length shots of the bride and groom saying vows while remaining a comfortable distance away from the event, and the 70mm lens is wide enough to capture the bridesmaids or groomsmen as a group without switching photographic lenses.

Telephoto zoom lenses with image stabilization should also be on your wedding photography equipment list. The 70-200mm lens length range is critical for wedding ceremony photography. It enables you to offer your subjects more room when you don’t want to get in their way. Image-stabilized telephoto zoom lenses will come in useful while photographing down the aisle from the back of the church. The 200mm lens is long enough to get 3/4 length shots of the bride and groom saying vows while remaining a comfortable distance away from the event, and the 70mm lens is wide enough to capture the bridesmaids or groomsmen as a group without switching photographic lenses.

These image-stabilized telephoto zoom photography lenses aren’t just for photographing fuzzy backgrounds or distant events. They might also be used to capture breathtaking facial close-ups from unusual angles above or below the subject, without the usual distortions of big chins or shrinking heads caused by broader camera lenses.

Another advantage of such photography lenses is that you may take use of the small-sensor camera’s 1.5x crop factor. The effective length of 300mm enables more creative photo angles than shorter photography lenses, such as closely cropped shots of the groom’s hands raising the bride’s veil or the bride and groom’s hands while putting rings on each other’s fingers.

The apparent downside of image-stabilized telephoto zooms is that in many circumstances, long photography lenses tend to separate the subject from the main scene, leaving little to no context as to why the subject communicated how they were feeling, where the subject was, and who else was present.

Another downside of using image-stabilized telephoto zoom lenses when using a small-sensor camera as your primary or backup body is that neither Nikon, Canon, nor Sony produce an f/2.8 lens with an effective focal length of 70-200mm. As a result, you’d have to pay the exorbitant price and carry the weight of full-frame photographic lenses.

Canon’s Image Stabilization, Nikon’s Vibration Reduction, and Sony’s SteadyShot INSIDE systems are all essential for hand-holding these massive and heavy long shooting lenses, especially in low-light circumstances. Every wedding photographer should verify that their long lenses include picture stabilization and vibration reduction characteristics. You could also think about utilizing a tripod to achieve consistent, correct subject positioning and crisp photographs. Such telephoto zoom photography lenses are large expenditures, so if you’re on a tight budget or a beginner, you might want to try renting instead.

Prime Lenses

How To Improve Your Photography with Prime lenses

These lenses that have fixed focal lengths, which have variable focal lengths such as 24-70mm or 17-55mm.

Good prime lenses are essential for any wedding photographer since they are fantastic for photographing portraits. It is recommended to add two to three quick prime lenses in your luggage as well.

Faster prime photography lenses are useful when an f/2.8 aperture is insufficient to provide the needed motion-stopping shutter speed or shallow depth of focus, whether for aesthetic or technical reasons. Many professional wedding photographers keep prime lenses in their gig bags as an inexpensive backup to zoom lenses. Many individuals cannot afford to buy a second 70-200mm f/2.8 telephoto lens as a backup, and you also want to avoid a stressful situation in which your photographic lens breaks on you at a critical moment.

There are several prime lenses on the market, but most photographers would include a 28/1.8, 50/1.8, and 85/1.8 in their prime photography lens kit for usage on a full-frame body. With just these three photography lenses, you may properly capture a wedding.

Making an informed decision on the best photography lenses to utilize will undoubtedly raise your wedding photos to a more professional level.